• The minute scratches on the surface on John McCracken’s Red Plank, reminding me that it’s a real object, not a Platonic form, and making me wonder about its many years of being carted around and whatever other events have occurred in its life since 1969.
  • The apparent evidence of sanding around the concavities’ edges in Barbara Hepworth’s Two Figures.
  • Andrew Sa’s Andrew in Anotherland.